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Titre propre
Conference: And your Daughters Shall Prophesy [sound recording]
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- Document sonore
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Pièce
Cote
MSVUA-AV-162A
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Juridiction responsable et dénomination (philatélique)
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Date(s)
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[ca. 1990] (Production)
- Producteur
- Mount Saint Vincent University
- Lieu
- Halifax, Nova Scotia
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Description matérielle
1 audio cassette (1 hr., 33 min., 53 sec.) : analog, 4.75 cm/s, 3M ; 0.7cm.
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Nom du producteur
(1873 -)
Histoire administrative
Mount Saint Vincent University had its origins as an academy for young girls established by the Sisters of Charity in Rockingham (present day Halifax) in 1873. The original purpose of the academy was to train novices and young sisters as teachers, but the Sisters also recognised a need to educate other young women and therefore opened the academy to young women who lived in the city of Halifax. In 1925 the Nova Scotia Legislature passed a bill granting a charter to Mount Saint Vincent College empowering it to grant its own degrees. With that, Mount Saint Vincent College became the only independent women’s college in the British Commonwealth. It offered degrees in Education, Nursing and Arts.
The College continued to grow until 1966, when a new government charter was granted and the College became Mount Saint Vincent University, a co-educational institution. The Mount is a primarily undergraduate public university that offer programs in Arts, Education, Science, and Professional Studies.
Historique de la conservation
Portée et contenu
This recording has two sides, Side A is a recording of a conference lecture by Donna Hunger which was part of the launch of the Decade of Churches in Solidarity with Women. From 00:00:00 to 00:03:41 Ruth Jefferson, a Chaplain at Mount Saint Vincent introduces Donna Hunter, the Executive Director of the Women's Inter-Church Council of Canada, followed by applause. From 00:03:44 to 00:28:24 Donna Hunter who speaks about the church as an agent for social change. From 00:06:31 to 00:08:14 those in attendance discuss the question Hunter puts forth which is: what would they suggest if they were asked to present on the same subject. From 00:28:27 to 00:36:58 Jean Gordon, the President of the Inter-Church Council of Canada reflected on Hunters question, followed by a question period. From 00:37:59 to 00:44:41 Joyce Kennedy tells the attendees about the rest of their schedule. From 00:44:49 to 00:47:46 an unnamed woman welcomes attendees on the second day of the conference. Side B is a recording of a conference lecture given by Sister Veronica O'Reilly which was part of the launch of the Decade of Churches in Solidarity with Women, on the second day of the conference. From 00:00:00 to 00:03:03 a choir preforms Come to the Water. From 00:03:04 to 00:05:30 a welcome and prayer is given by an unnamed woman followed by a moment of silence. From 00:05:31 to 16:53 the parable, The Naked Lady is read by Cherry Paris. From 00:17:03 to 00:18:50 those in attendance discuss the parable, it is too loud to make out any one distinct conversation. From 00:18:50 to 00:19:53 the woman who provided the initial welcome reflects on the parable. From 00:20:04 to 00:21:42 select verses from Come to the Water are preformed again. From 00:21:55 to 00:22:36 Jean Gordon, performed the welcome and Marta Condola [sp], the animator for the Inter-Church Council for Canada. From 00:22:37 to 00:25:08 Marta Condola presented Sister Veronica O'Reilley, followed by applause.From 00:25:09 to 00:47:10 Sister Veronica O'Reilley lectures on women's movements in the Christian Church.
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Source immédiate d'acquisition
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Arrangement is imposed by Archivist.
Langue des documents
- anglais
Écriture des documents
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Disponibilité d'autres formats
Available digitally in .MP3 and uncompressed .WAV formats.
Restrictions d'accès
Délais d'utilisation, de reproduction et de publication
For research purposes only. Copyright attributed to Mount Saint Vincent University. For publication permissions, contact Archivist.
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- Mount Saint Vincent University (Producteur)
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Dates de production, de révision et de suppression
Created on February 24, 2019 by Taylor McCuaig.